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		<title>Woolf, Virginia: A Haunted House and Other Short Stories</title>
		<link>http://epalm.org/?p=1060</link>
		<comments>http://epalm.org/?p=1060#comments</comments>
		<pubDate>Tue, 22 Jun 2010 07:23:33 +0000</pubDate>
		<dc:creator>jgomez</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[short stories]]></category>
		<category><![CDATA[Woolf]]></category>

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		<description><![CDATA[A Haunted House is a 1944 collection of 18 short stories by Virginia Woolf. It was produced by her husband Leonard Woolf after her death although in the foreword he states that they had discussed its production together. * The first six stories appeared in her only previous collection Monday or Tuesday in 1921: &#8220;A [...]]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_4" class="wp-caption alignleft" style="width: 80px"><a href="http://epalm.org/?dl_id=288"><img src="http://epalm.org/wp-content/uploads/2009/10/en_gia.png" alt="" title="A Haunted House and Other Short Stories" width="70" height="87" class="size-full wp-image-4" /></a><p class="wp-caption-text">short stories</p></div><strong><em>A Haunted House</em></strong> is a 1944 collection of 18 short stories by <strong>Virginia Woolf</strong>. It was produced by her husband Leonard Woolf after her death although in the foreword he states that they had discussed its production together.</p>
<p>    * <strong>The first six stories</strong> appeared in her only previous collection Monday or Tuesday in 1921:<br />
<span id="more-1060"></span><br />
<em>&#8220;A Haunted House&#8221;<br />
&#8220;Monday or Tuesday&#8221;<br />
&#8220;An Unwritten Novel&#8221;<br />
&#8220;The String Quartet&#8221;<br />
&#8220;Kew Gardens&#8221;<br />
 &#8220;The Mark on the Wall&#8221;</em></p>
<p>    * <strong>The next six</strong> appeared in magazines between 1922 and 1941 :<br />
<em>&#8220;The New Dress&#8221;<br />
&#8220;The Shooting Party&#8221;<br />
&#8220;Lappin and Lappinova&#8221;<br />
&#8220;Solid Objects&#8221;<br />
&#8220;The Lady in the Looking-Glass&#8221;<br />
&#8220;The Duchess and the Jeweller&#8221;</em></p>
<p>    * <strong>The final six were unpublished</strong>, although only &#8220;Moments of Being&#8221; and &#8220;The Searchlight&#8221; were finally revised by Virginia Woolf herself :<br />
<em>&#8220;Moments of Being&#8221;<br />
&#8220;The Man who Loved his Kind&#8221;<br />
&#8220;The Searchlight&#8221;<br />
&#8220;The Legacy&#8221;<br />
 &#8220;Together and Apart&#8221;<br />
&#8220;A Summing Up&#8221;</em></p>
<p><strong>Format</strong>: <a href="http://epalm.org/?dl_id=288">iSilo</a></p>
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		<title>Santa Teresa de Jesús: Las Moradas</title>
		<link>http://epalm.org/?p=1058</link>
		<comments>http://epalm.org/?p=1058#comments</comments>
		<pubDate>Mon, 21 Jun 2010 07:13:15 +0000</pubDate>
		<dc:creator>jgomez</dc:creator>
				<category><![CDATA[Español]]></category>
		<category><![CDATA[Religión]]></category>
		<category><![CDATA[Teresa de Jesús]]></category>

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		<description><![CDATA[El castillo interior o Las moradas es una obra mística en prosa de Santa Teresa de Jesús, escrita en 1577, en el convento de San José, en Ávila. Las Moradas ofrece al lector un compendio de las vivencias místicas de su autora; la dificultad de transcribir este tipo de experiencias sublimes la obligó a recurrir [...]]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_14" class="wp-caption alignleft" style="width: 80px"><a href="http://epalm.org/?dl_id=287"><img src="http://epalm.org/wp-content/uploads/2009/10/es_ros.png" alt="" title="Las Moradas" width="70" height="87" class="size-full wp-image-14" /></a><p class="wp-caption-text">Espiritual</p></div><strong><em>El castillo interior o Las moradas</em></strong> es una obra mística en prosa de <strong>Santa Teresa de Jesús</strong>, escrita en 1577, en el convento de San José, en Ávila.</p>
<p><em>Las Moradas</em> ofrece al lector un compendio de las vivencias místicas de su autora; la dificultad de transcribir este tipo de experiencias sublimes la obligó a recurrir a un lenguaje plagado de símbolos. Se trata, no obstante, de un texto de expresión sencilla y popular, con vocación didáctica.</p>
<p>Como ente de naturaleza divina, el castillo -representación del alma- es &#8220;todo de diamante o muy claro cristal&#8221;, pero puede estar tapado por un paño oscuro, el pecado, que oculta la transparencia de la luz divina; así pues, antes de penetrar en sus moradas interiores debe hallarse el sujeto en estado de gracia. Esta fortaleza del alma tiene una sola puerta, la oración. Del mismo modo que Pseudo Dionisio (siguiendo la cosmología clásica de Aristóteles y Ptolomeo -sistema ptolemaico-) dividía el universo en esferas concéntricas que ganaban perfección en orden ascendente, así describe Santa Teresa las moradas (estancias) del castillo, que no son sino las fases o estadios que el alma debe recorrer para alcanzar la perfección: primero han de atravesarse las moradas exteriores, que exigen una cadena de renuncias; luego se penetra en las estancias interiores, donde cabe acceder al gozo espiritual. Durante este proceso, Dios no sólo es el objetivo que se persigue, sino también la fuerza que infunde valor y poder al espíritu, pues no son baladíes las pruebas que éste debe afrontar en su camino de perfección. </p>
<p><strong>Formato</strong>: <a href="http://epalm.org/?dl_id=287">iSilo</a></p>
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		<item>
		<title>Twain, Mark: Un americano alla corte di re Artù</title>
		<link>http://epalm.org/?p=1056</link>
		<comments>http://epalm.org/?p=1056#comments</comments>
		<pubDate>Sun, 20 Jun 2010 17:30:17 +0000</pubDate>
		<dc:creator>jgomez</dc:creator>
				<category><![CDATA[Italiano]]></category>
		<category><![CDATA[Romanzi]]></category>
		<category><![CDATA[Twain]]></category>

		<guid isPermaLink="false">http://epalm.org/?p=1056</guid>
		<description><![CDATA[Un americano alla corte di re Artù (A Connecticut Yankee in King Arthur&#8217;s Court, 1889) è un celebre romanzo dello scrittore e umorista statunitense Mark Twain. Rappresenta uno dei primi esempi (forse il primo) di romanzo basato sul tema del viaggio nel tempo. Il protagonista del romanzo è Hank Morgan, un comune cittadino di Hartford [...]]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_24" class="wp-caption alignleft" style="width: 80px"><a href="http://epalm.org/?dl_id=286"><img src="http://epalm.org/wp-content/uploads/2009/10/it_blu.png" alt="" title="Un americano alla corte di re Artù" width="70" height="87" class="size-full wp-image-24" /></a><p class="wp-caption-text">Romanzo</p></div><strong><em>Un americano alla corte di re Artù</em></strong> (<em>A Connecticut Yankee in King Arthur&#8217;s Court</em>, 1889) è un celebre romanzo  dello scrittore e umorista statunitense <strong>Mark Twain</strong>. Rappresenta uno dei primi esempi (forse il primo) di romanzo basato sul tema del viaggio nel tempo.</p>
<p>Il protagonista del romanzo è Hank Morgan, un comune cittadino di Hartford nel Connecticut, che misteriosamente si trova trasportato indietro nel tempo all&#8217;Inghilterra medioevale del leggendario re Artù  (l&#8217;anno esatto è il 528). Hank utilizza le proprie conoscenze tecniche e la propria intraprendenza yankee per farsi strada nella società estremamente superstiziosa, brutale e ottusa in cui è capitato, ma alla fine diventa una vittima dei lati più oscuri della sua stessa mentalità &#8220;moderna&#8221;.</p>
<p><strong>Formato</strong>: <a href="http://epalm.org/?dl_id=286">Universale (palm doc)</a></p>
]]></content:encoded>
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		<title>Sophocles: The Oedipus Trilogy</title>
		<link>http://epalm.org/?p=1033</link>
		<comments>http://epalm.org/?p=1033#comments</comments>
		<pubDate>Fri, 18 Jun 2010 14:34:55 +0000</pubDate>
		<dc:creator>jgomez</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Theatre play]]></category>
		<category><![CDATA[Sofocle]]></category>
		<category><![CDATA[Sófocles]]></category>
		<category><![CDATA[Sophocles]]></category>

		<guid isPermaLink="false">http://epalm.org/?p=1033</guid>
		<description><![CDATA[Sophocles (pronounced /ˈsɒfəkliːz/ was an ancient Greek Σοφοκλῆς Sophoklēs, his name was most likely pronounced [sopʰoklɛ̂ːs]; c. 497/6 BC- winter 407/6 BC) was the second of the three ancient Greek tragedians whose work has survived. His first plays were written later than those of Aeschylus and earlier than those of Euripides. According to the Suda, [...]]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_9" class="wp-caption alignleft" style="width: 80px"><a href="http://epalm.org/?file_id=285"><img src="http://epalm.org/wp-content/uploads/2009/10/en_ver.png" alt="" title="The Oedipus Trilogy" width="70" height="87" class="size-full wp-image-9" /></a><p class="wp-caption-text">Plays</p></div><strong>Sophocles</strong> (pronounced /ˈsɒfəkliːz/ was an ancient Greek <em>Σοφοκλῆς </em>Sophoklēs, his name was most likely pronounced [sopʰoklɛ̂ːs]; c. 497/6 BC- winter 407/6 BC)  was the second of the three ancient Greek tragedians whose work has survived. His first plays were written later than those of Aeschylus  and earlier than those of Euripides. According to the Suda, a 10th century encyclopedia, Sophocles wrote 123 plays during the course of his life, but only seven have survived in a complete form: Ajax, Antigone, Trachinian Women, Oedipus the King, Electra, Philoctetes and Oedipus at Colonus.  For almost 50 years, Sophocles was the most-awarded playwright in the dramatic competitions of the city-state of Athens that took place during the religious festivals of the Lenaea and the Dionysia. Sophocles competed in around 30 competitions; he won perhaps 24 and never received lower than second place; in comparison, Aeschylus won 14 competitions and was defeated by Sophocles at times, while Euripides won only 4 competitions.<br />
<span id="more-1033"></span><br />
<strong><em>The Oedipus Trilogy</em></strong> or <strong><em>The Theban plays</em></strong> consist of three plays: <em>Antigone</em>, <em>Oedipus the King</em> (also called Oedipus Tyrannus or Oedipus Rex), and <em>Oedipus at Colonus</em>. All three plays concern the fate of Thebes during and after the reign of King Oedipus.  They have often been published under a single cover.  Sophocles, however, wrote the three plays for separate festival competitions, many years apart. Not only are the Theban plays not a true trilogy  (three plays presented as a continuous narrative) but they are not even an intentional series and contain some inconsistencies among them.  He also wrote other plays having to do with Thebes, such as The Progeny, of which only fragments have survived.</p>
<p><strong>Format</strong>: <a href="http://epalm.org/?file_id=285">iSilo</a></p>
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		<title>Caballero, Fernán: La gaviota</title>
		<link>http://epalm.org/?p=1031</link>
		<comments>http://epalm.org/?p=1031#comments</comments>
		<pubDate>Thu, 17 Jun 2010 07:18:44 +0000</pubDate>
		<dc:creator>jgomez</dc:creator>
				<category><![CDATA[Español]]></category>
		<category><![CDATA[Novelas]]></category>
		<category><![CDATA[Caballero]]></category>

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		<description><![CDATA[Fernán Caballero era el seudónimo utilizado por la escritora española Cecilia Böhl de Faber y Larrea (Morges, Cantón de Vaud, Suiza, 24 de diciembre de 1796 – Sevilla, España, 7 de abril de 1877). La gaviota. (1849) — Novela costumbrista, calificada por la crítica de prerrealista. Formato: Universale (Palm doc)]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_10" class="wp-caption alignleft" style="width: 80px"><a href="http://epalm.org/?file_id=284"><img src="http://epalm.org/wp-content/uploads/2009/10/es_blu.png" alt="" title="La gaviota" width="70" height="87" class="size-full wp-image-10" /></a><p class="wp-caption-text">Novela</p></div><strong>Fernán Caballero</strong> era el seudónimo utilizado por la escritora  española  Cecilia Böhl de Faber y Larrea (Morges, Cantón de Vaud, Suiza, 24 de diciembre de 1796 – Sevilla, España, 7 de abril de 1877).</p>
<p><strong><em>La gaviota</em></strong>. (1849) — Novela costumbrista, calificada por la crítica de prerrealista.</p>
<p><strong>Formato</strong>: <a href="http://epalm.org/?file_id=284">Universale (Palm doc)</a></p>
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		<title>Sun Tzu: L&#8217;arte della guerra</title>
		<link>http://epalm.org/?p=1029</link>
		<comments>http://epalm.org/?p=1029#comments</comments>
		<pubDate>Wed, 16 Jun 2010 17:53:10 +0000</pubDate>
		<dc:creator>jgomez</dc:creator>
				<category><![CDATA[Italiano]]></category>
		<category><![CDATA[Saggi]]></category>
		<category><![CDATA[Sun Tzu]]></category>

		<guid isPermaLink="false">http://epalm.org/?p=1029</guid>
		<description><![CDATA[L&#8217;arte della guerra (Sūnzǐ Bīngfǎ, 孫子兵法) è un trattato di strategia militare attribuito, a seguito di una tradizione orale lunga almeno due secoli, al generale Sunzi (in cinese: 孫子; pinyin: Sūnzǐ; Wade-Giles: Sun Tzu), vissuto in Cina probabilmente fra il VI e il V secolo a.C. Importante è stato il ritrovamento di un manoscritto in [...]]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_26" class="wp-caption alignleft" style="width: 80px"><a href="http://epalm.org/?file_id=283"><img src="http://epalm.org/wp-content/uploads/2009/10/it_gri.png" alt="" title="L&#039;arte della guerra" width="70" height="87" class="size-full wp-image-26" /></a><p class="wp-caption-text">Saggio</p></div><strong><em>L&#8217;arte della guerra</em></strong> (Sūnzǐ Bīngfǎ, 孫子兵法) è un trattato di strategia militare attribuito, a seguito di una tradizione orale lunga almeno due secoli, al generale Sunzi (in cinese: 孫子; pinyin: Sūnzǐ; Wade-Giles: <strong>Sun Tzu</strong>), vissuto in Cina probabilmente fra il VI e il V secolo a.C. Importante è stato il ritrovamento di un manoscritto in lingua originale scritto su un papiro di bambù intorno al III secolo a.C.</p>
<p>Si tratta probabilmente del più antico testo di arte militare esistente (VI secolo AC circa). Sono tredici capitoli, ognuno dedicato ad un aspetto della guerra. Ebbe una grande influenza nella strategia militare anche europea. È un compendio i cui consigli si possono applicare, al pari di altre opere della cultura sino-giapponese, a molti aspetti della vita, oltre che alla strategia militare. Ad esempio all&#8217;economia e alla conduzione degli affari, cosa in cui eccellevano i Giapponesi prima di entrare nella crisi pluriennale della loro economia, che perdura dal 1990. Il libro è tuttora usato per la gestione del management di molte aziende di tutto il mondo.</p>
<p><strong>Formato</strong>: <a href="http://epalm.org/?file_id=283">iSilo, Mobipocket</a></p>
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		<title>Conrad, Joseph: Tales of Unrest</title>
		<link>http://epalm.org/?p=1027</link>
		<comments>http://epalm.org/?p=1027#comments</comments>
		<pubDate>Mon, 14 Jun 2010 07:11:57 +0000</pubDate>
		<dc:creator>jgomez</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[short stories]]></category>
		<category><![CDATA[Conrad]]></category>

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		<description><![CDATA[Joseph Conrad (born Józef Teodor Konrad Korzeniowski;[1] 3 December 1857 – 3 August 1924) was a Polish-born British novelist, who became a British subject in 1886. He is regarded as one of the greatest novelists in English,[2] though he did not speak the language fluently until he was in his twenties (and then always with [...]]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_4" class="wp-caption alignleft" style="width: 80px"><a href="http://epalm.org/?file_id=282"><img src="http://epalm.org/wp-content/uploads/2009/10/en_gia.png" alt="" title="Tales of Unrest" width="70" height="87" class="size-full wp-image-4" /></a><p class="wp-caption-text">short stories</p></div><strong>Joseph Conrad</strong> (born Józef Teodor Konrad Korzeniowski;[1]  3 December 1857 – 3 August 1924) was a Polish-born British novelist, who became a British subject in 1886.</p>
<p>He is regarded as one of the greatest novelists in English,[2] though he did not speak the language fluently until he was in his twenties (and then always with a marked Polish accent). He wrote stories and novels, predominantly with a nautical or seaboard setting, that depict trials of the human spirit by the demands of duty and honor.</p>
<p><strong><em>Tales of Unrest</em></strong>, 1898: <em>Karain: A Memory, The Idiots, An Outpost of Progress, The Return</em> and <em>The Lagoon</em>.</p>
<p><strong>Format</strong>: <a href="http://epalm.org/?file_id=282">iSilo</a></p>
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		<title>Unamuno, Miguel de: La Tía Tula</title>
		<link>http://epalm.org/?p=1023</link>
		<comments>http://epalm.org/?p=1023#comments</comments>
		<pubDate>Fri, 11 Jun 2010 05:49:14 +0000</pubDate>
		<dc:creator>jgomez</dc:creator>
				<category><![CDATA[Español]]></category>
		<category><![CDATA[Novelas]]></category>
		<category><![CDATA[Unamuno]]></category>

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		<description><![CDATA[La tía Tula es una novela escrita por Miguel de Unamuno en 1907, publicada en 1921 Es una de las novelas más conocidas de Unamuno. Comparte con otras novelas el estilo y las preocupaciones habituales del autor. Esta novela narra la vida de Gertrudis, también llamada la Tía Tula, y los sacrificios que realiza durante [...]]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_10" class="wp-caption alignleft" style="width: 80px"><a href="http://epalm.org/?file_id=281"><img src="http://epalm.org/wp-content/uploads/2009/10/es_blu.png" alt="" title="La Tía Tula" width="70" height="87" class="size-full wp-image-10" /></a><p class="wp-caption-text">Novela</p></div><strong><em>La tía Tula</em></strong> es una novela escrita por <strong>Miguel de Unamuno</strong> en 1907, publicada en 1921</p>
<p>Es una de las novelas más conocidas de Unamuno. Comparte con otras novelas el estilo y las preocupaciones habituales del autor. Esta novela narra la vida de Gertrudis, también llamada la Tía Tula, y los sacrificios que realiza durante su vida para satisfacer sus ansias de maternidad.</p>
<p><strong>Formato</strong>: <a href="http://epalm.org/?file_id=281">Universal (Palm doc)</a></p>
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		<title>Goldoni, Carlo: La bottega del caffè</title>
		<link>http://epalm.org/?p=1021</link>
		<comments>http://epalm.org/?p=1021#comments</comments>
		<pubDate>Thu, 10 Jun 2010 05:57:24 +0000</pubDate>
		<dc:creator>jgomez</dc:creator>
				<category><![CDATA[Italiano]]></category>
		<category><![CDATA[Teatro]]></category>
		<category><![CDATA[Goldoni]]></category>

		<guid isPermaLink="false">http://epalm.org/?p=1021</guid>
		<description><![CDATA[La bottega del caffè è una delle più importanti commedie di Carlo Goldoni composta nel 1750, all&#8217;interno della quale si sviluppa un intermezzo dallo stesso titolo, composto da Goldoni nel 1736. Nato inizialmente come intermezzo in tre parti, l&#8217;enorme successo del soggetto spinse il commediografo a tornarci sopra, ampliandolo fino a crearne una commedia in [...]]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_30" class="wp-caption alignleft" style="width: 80px"><a href="http://epalm.org/?file_id=280"><img src="http://epalm.org/wp-content/uploads/2009/10/it_ver.png" alt="" title="La bottega del caffè" width="70" height="87" class="size-full wp-image-30" /></a><p class="wp-caption-text">Teatro</p></div><strong><em>La bottega del caffè</em></strong> è una delle più importanti commedie  di <strong>Carlo Goldoni</strong> composta nel 1750, all&#8217;interno della quale si sviluppa un intermezzo  dallo stesso titolo, composto da Goldoni nel 1736.</p>
<p>Nato inizialmente come intermezzo in tre parti, l&#8217;enorme successo del soggetto spinse il commediografo a tornarci sopra, ampliandolo fino a crearne una commedia in tre atti. È considerata uno dei suoi testi più fortunati tra le sedici commedie nuove. La commedia venne rappresentata per la prima volta a Mantova, il 2 maggio di quell&#8217;anno, con gran successo. Fu poi portata a Venezia dove fu replicata per dodici volte.</p>
<p><strong>Formato</strong>: <a href="http://epalm.org/?file_id=280">Universale (Palm doc)</a></p>
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		<title>Austen, Jane: Persuasion</title>
		<link>http://epalm.org/?p=1019</link>
		<comments>http://epalm.org/?p=1019#comments</comments>
		<pubDate>Tue, 08 Jun 2010 17:17:37 +0000</pubDate>
		<dc:creator>jgomez</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Novel]]></category>
		<category><![CDATA[Austen]]></category>

		<guid isPermaLink="false">http://epalm.org/?p=1019</guid>
		<description><![CDATA[Persuasion is Jane Austen&#8216;s last completed novel. She began it soon after she had finished Emma, completing it in August, 1816. She died, aged 41, in 1817; Persuasion was published in December of that year (but dated 1818). Persuasion is connected with Northanger Abbey not only by the fact that the two books were originally [...]]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_3" class="wp-caption alignleft" style="width: 80px"><a href="http://epalm.org/?file_id=279"><img src="http://epalm.org/wp-content/uploads/2009/10/en_blu.png" alt="" title="Persuasion" width="70" height="87" class="size-full wp-image-3" /></a><p class="wp-caption-text">Novel</p></div><strong><em>Persuasion</em></strong> is <strong>Jane Austen</strong>&#8216;s last completed novel. She began it soon after she had finished Emma, completing it in August, 1816. She died, aged 41, in 1817; Persuasion  was published in December of that year (but dated 1818).</p>
<p>Persuasion is connected with <em>Northanger Abbey</em> not only by the fact that the two books were originally bound up in one volume and published together two years later, but also because both stories are set partly in Bath, a fashionable health resort with which Jane Austen was well acquainted, having lived there from 1801 to 1805.</p>
<p><strong>Format</strong>: <a href="http://epalm.org/?file_id=279">iSilo</a></p>
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